The idyllic facade of a small coastal tourist magnet hides its secrets well. But when the shining star pitcher of the girls’ softball team guns down the most popular boy in school, the shockwaves reverberate far beyond the school’s walls. In the wake of the killing, two of the town’s newer residents turn over deeply embedded rocks, exposing a subculture of almost unimaginable horror lurking beneath.
Formerly a nurse with Médecins Sans Frontières, Dolly has become a defender and confidante to dozens of local teenage girls, and she refuses to accept that MaryLou (“Mighty Mary”) McCoy’s gunning down Cameron Taft in a high school hallway is a typical school shooting. Although MaryLou’s guilt is not in doubt—it’s even captured on the school’s security camera—the girl insists on a trial . . . but inexplicably refuses to cooperate with her own defense. Enlisting her troupe of teenagers and the local contacts she has cemented, Dolly calls on all of her resources to get to the truth . . . and to whatever secret MaryLou is guarding.
When Dolly’s husband, Dell, sees his beloved wife begin her quest, he immediately signs on. A former mercenary and ex-Legionnaire, Dell treats this “job” as he would any other—with no boundaries. His entire arsenal is put into play: guile, extortion, tracking devices, shadow networks, and, finally, an act of terrorism that blows the cover off the soul-killing rite of passage demanded of the town’s most vulnerable girls. Dell’s discovery of MaryLou’s true motive and the community’s shocking failure to protect its children culminates in a decision to put the town itself on trial. The explosive verdict blows away the facade . . . and forces the village to stand in judgment of itself. The aftershocks keep coming until the foundation itself fractures, leaving cracks too deep to patch ever again.
In the Book Notes series on LargeheartedBoy.com, authors create and discuss a music playlist that relates in some way to their recently published book. Read about the music playlist for Aftershock in Andrew’s own words.
“[C]ompelling first in a new thriller series … [R]eaders will stick with the story, and the series, because the steadfast, relentless Dell, with his uncompromising morality, commands attention.”
— Publishers Weekly
“This series debut from best-selling Vachss (Another Life, Blackjack) … [is] razor-edged and compulsively readable, the pages fly by.”
— Library Journal
“Vachss isn’t trying to tell a legal drama or infuse his story with mock suspense. We are not here to see Atticus Finch sway a jury. We are here because Vachss has put us in the jury box. He wants us to render verdict on the justice system.”
—azcentral.com
“Great, dark and chilling hardboiled prose, the best dialogue Vachss has written so far and a lot to think about. A winner.”
—Sons of Spade
“Aftershock is crime fiction at its best built around a solid cast of characters, with an intriguing mythology.
Vachss covers many of his classic themes yet in a way that seems to have invigorated his writing, allowing him to explore these themes in new and fascinating ways…. Phil [Gigante’s audio adaptation] was brilliant as always, and his interplay with [fellow audio adapter] Natalie [Ross] was so natural and flowing that I didn’t experience any of the dissonance this type of narration often gives me. “
To read the rest of the Guilded Earlobe’s review of the audiobook, click here.