Another Life

Flower came from inside Immaculata’s body; Michelle had taken Terry’s shivering little body into her arms and never let him go. That happened in the backseat of my car, as I was driving away from what I’d left of the pus–sack who’d been renting the kid out. Come from, come to—no difference. They’re both ours. Our blood. How you look at it doesn’t matter to us. Citizens think a trial verdict depends on the evidence; we know all that counts is who’s on the jury. Some of you get to visit our world, but none of you really see it. Some of you try too hard, stick your nose in too deep. Then you don’t get to leave.

In this blistering conclusion to the nationally bestselling series, Burke is forced into a journey that will change the lives of the urban survivalist and his outlaw family forever. The only person Burke has ever called father, known throughout the underground as “The Prof,” is in a coma, barely clinging to life in an off-the-books hospital. So when Pryce, a slippery man with government connections, offers the best medical services for the Prof and a clean slate for all concerned, Burke takes the contract without reading it. The two-year-old son of a Saudi prince has been kidnapped. A highly professional snatch; no mistakes, no clues, and no ransom note. Burke’s job: get the kid back, whatever it takes. To do so, the ultimate man-for-hire must return to the day “Baby Boy Burke” was written on his birth certificate, and write, in the blood of his enemies, the final act of this story.


“There’s no way to put a [Vachss book] down once you’ve begun . . . The plot hooks are engaging and the one-liners pierce like bullets.”
—Detroit Free Press

“Vachss is just about the toughest of contemporary crime novelists. [He] waves a powerful light across a city landscape that few writers go near and none portray so convincingly.”
–Los Angeles Times

“The hardest-boiled crime fiction this side of Sing Sing.”
–USA Today

“Sheer narrative drive is only part of what has kept readers coming back for more. [Burke] is a hero of our times. . . lord of the asphalt jungle.”
–The Washington Post Book World

“Vachss’s style is as inimitable and passionate as ever.”
–Rocky Mountain News

“Vachss is a contemporary master.”
The Atlanta Journal-Constitution

“Writing in a style so sleekly engineered that it purrs when you pop the hood, Vachss gives such a smooth ride that it’s easy to forget someone is driving.”
–The New York Times

“Vachss has always been able to make other writers look candy-assed . . . And it’s not because he manages to marry grim idealism to action-driven plots. It’s because of the unflinching way he looks at evil.”
–Chicago Reader

“Vachss is red hot and as serious as a punctured lung.”
–Playboy

“The New York Burke inhabits is not borrowed from anybody and shimmers on the page as gaudily and scarily as it does on the street.”
–New York

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